印度(🥑)每年有超过二万(📭)宗针(🌽)对(duì )女性的暴(🤞)力(🚛)(lì )罪案，平均每(🦔)二十(❎)(shí(📛) )二分钟(zhōng )就有(🐴)(yǒu )一名女(nǚ )性被强暴(💒)，每六小时就有(🔚)一名(míng )妇女因家(📃)庭(tí(🧝)ng )暴力丧(sàng )命。年(🚄)轻(🗃)的基层女(nǚ )警索(suǒ(🍩) )妮(🍼)与上(shàng )司卡帕(🌸)纳在(zài )德里一同接手(🚫)调查(chá )不同的(🐳)(de )女性(xìng )暴力事(shì(✔) )件，在(💅)办案过程中往(📙)往(🍠)(wǎng )遭受到(dào )了重大阻(🆎)力(lì )，无日(rì )无(😇)之的罪案(àn )令她脾(pí(🖨) )气暴(bào )躁，做(zuò(💉) )事(💕)方式偏离常规(🏳)，被裁(🌖)定(💜)在执(zhí )勤中行(🔀)为不(bú )当，而(ér )私人生(🙊)活也影响到(dà(🤹)o )了她(tā )的职业(yè(👫) )表现(🗄)，与丈夫已经彼(🤓)此(📛)疏离，却要被(bèi )迫面(😟)(mià(🧗)n )对他突(tū )然的(🍴)到访。印度电影少(shǎo )见(🗳)的写(xiě )实题材(🎪)，以(yǐ )一场一镜营(🕥)造出(🔚)真(zhēn )实迫力(lì(🐉) )，将(⬛)(jiāng )社会低(dī )下层女性(😨)受到压迫的问(🍓)(wèn )题表露(lù )无遗。

本片(🔍)(piàn )撷取了(le )发生(📝)在(🛒)中国(guó )北方小(🔸)(xiǎo )城(👁)镇(🥡)(zhèn )中一个(gè )中(🍸)国青年出狱后的一段(🧐)人生经(jīng )历，讲(😊)述了(le )一个小(xiǎo )人(⏲)物在(👺)商品经济的(de )大(🕌)潮(⬅)(cháo )中与时(shí )代的隔(📖)离(❌)，以及人们对金(😗)钱的(de )崇尚和(hé )理想(xiǎ(⏯)ng )、道德(dé )的流(🍍)失，对社会与人性(🍢)(xìng )作(🌳)出了(le )深度拷问(🍌)。尤(🐈)其是本片以中国(guó )农(😍)历冬(dōng )季的(de )四(🕌)个节(jiē )气作为篇章，具(🏦)有强烈(liè )的中(🍺)国(🔴)(guó )文化符号视(😚)(shì )觉(📡)。

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.

1926年(📮)(nián )，在面临个(gè(🆎) )人生活(huó )破碎(suì )和写(🗿)作(zuò )瓶颈危机(🌬)的情况下，年轻的(🍡)阿(ā(🆒) )加莎.克里斯(sī(🛰) )蒂(🚚)决定(dìng )自己去(🥞)解决(😕)一(🌮)个真(zhēn )实生(shē(🎎)ng )活中的(de )谋杀案。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.

ユミ(👷)は夫と娘の３(🏠)人暮らし。近々引(👯)(yǐn )っ(🥒)越しを考えて(🕯)い(✋)る。ユミは娘のレイナ(🕜)が時折うわ言(👛)を発(fā )することが、(⛺)少々気にかか(🎈)っ(💡)ていた。転(zhuǎn )居(🖥)の報(🍽)(bà(🤒)o )告も兼ねて友(✴)人ヒロミと久々に再(⏳)会(huì )するユミ(👜)。話題はいつしか(🗡)「あ(🛰)の日」のこと(🏈)に(🐢)。「私たちが埋(😔)めた(🕣)時(📒)、本当(dāng )に死(🙌)(sǐ )んでたのかな？」(💏)。ユミは「あの(😡)日(rì )」のことを(🌂)清算(😡)すべく、サエ(🧗)、(🎭)アコにも再会を決意(😀)し、廃(fèi )墟の(😘)ような家に一(yī )人で(✒)住(zhù )むサエに(📥)会(🔺)(huì )いに行く。サ(👡)エは(🗼)、(😫)見知らぬ少女(🈸)が現れて娘だと言っ(🍉)て聞(wén )かず、(📙)しばらく一(yī )緒(🕣)に暮(🐝)らしていたが(😟)死(💐)んだこと、そ(😄)して(🖍)少(🌆)女は死んだま(😏)まその家(jiā )の３階に(🛢)寝(qǐn )かされて(🍋)いるということ(🥣)を話(🔡)(huà )し出す。(C)「黄(🚇)泉(💒)がえる少女」製作委(👛)員会(huì )

一部集(🥎)(jí )悬疑、犯罪(zuì )、喜(💞)剧三种元素为(🤑)(wé(🎳)i )载体带(dài )有推(🥒)(tuī )理(🥜)色(😃)彩(cǎi )的电影，讲(😟)述无良律师、婚姻(yī(🌻)n )骗子、货车(chē(🚼) )司机、杀手雇主(🈸)以(yǐ(👆) )及变态(tài )厨子(💼)(zǐ(🧚) )等几个(gè )不同(🏳)职业(📄)的(🌘)小人物在一个(🎁)国道(dào )饭店里展开(kā(💙)i )一系列(liè )啼笑(📀)皆非的罗生门(mé(🖖)n )生死(🧦)(sǐ )斗。

本(běn )片讲(✔)述(🤤)了女主角之间的竞技(🕕)对(duì )决和爱(à(😮)i )情纠(jiū )葛的故(gù )事，在(🎍)生与死、爱与(😳)恨(💛)(hèn )、真相(xiàng )与(🏘)谎言(💻)中(🏼)她(tā )们所发生(😖)的不可思(sī )议的人(ré(☝)n )生转(zhuǎn )变。

A collection of horror stories involving cannibals, zombies “and other funny creatures”.