这部电(🌼)影是死(s
这部电(🌼)影是死(sǐ )亡事(🕦)第(🐉)10部,同时(shí )这是绞肉机第(🗯)四(🖨)(sì )部的完结篇。
在(🌛)(zài )《琐事烦(♎)心》(Wolfsbergen,2007年论坛单(🛏)元(👢)),《布朗运动》(Brownian Movement,2011年(🍻)论坛单元(🐞))和《一切很安(🗯)静(🖲)(jìng )》(Boven is Het Stil,2013年全景单元(yuán ))之(👙)后(💔),荷兰导(dǎo )演娜诺(🤩)克•利奥(🐼)(ào )波德将会带(🐓)着(🐣)新(xīn )片来到2018年的柏林电(dià(💷)n )影节在 Generation 14plus中角逐。以(🏴)她特有的(📌)沉静(jìng )的激进(🏀)主(🥁)义风格(gé ),她的新(🏃)片跟随着(㊗)(zhe )15岁Cobain的脚步,在城(🍼)(ché(🌇)ng )市里徘徊,寻找(zhǎo )他自毁(🤷)的(🥏)母亲。在途中,他遇(🌡)到(dào )了(le )她(🚀)的老朋友们,社(💕)工(📌)们,以及一(yī )家美(🏷)沙酮诊所(🐚)。在他的电影处(🔑)女(🌖)(nǚ )作(zuò )中,Bas Keizer温柔又有力(lì(🍾) )地(☕)表现出了一个(gè(🚅) )必须要快(🗼)速长大(dà )的男(🥪)孩(🏖)的样子。
Plot unknown.
原(yuán )乃木(😲)坂46深川麻(😻)衣(yī )的初部电影(🤫),并(bìng )担任(🎉)主演,同三(sān )代(🙇)目(💇) J Soul Brothers山下健二郎(láng )演(🍩)绎一场"焦(🧀)急又心(xīn )动"的(🈶)爱(🚂)情故事。
1971年第三次印巴战(zhà(🦀)n )争背景下的一个(♓)(gè )爱情故(💡)事
《功夫(fū )小(xiǎ(😪)o )镇(🦉)》讲述了在一(yī )个(💅)人们普遍(😳)热爱(ài )武术和(🛡)茶(🥣)的特色(sè )小镇中,开茶馆(🧦)(guǎ(💭)n )的(de )武痴大龙因武(🛒)术(shù )结缘(🕐)了一位体育(yù(📧) )老(🥘)师后发生的一(yī(💻) )系列故事(🎴)。
《深(shēn )夜(yè )中的SUPERCAR》是(👚)一部关(guān )于汽车梦想的(🙍)幻(🕎)(huàn )想剧,故事舞台(⚪)(tái )设定在(🍻)日本爱知(zhī )县(🔹)长(🅿)久手市,女主(zhǔ )白雪(山本(🍟)美月(yuè ) 饰 )是一(🧖)位汽车(chē(👔) )设计师,她很憧(👻)(chō(🐵)ng )憬日本国产车史(🍎)(shǐ )上(shàng )最(🎺)高杰作“NAGOYA 2000GT”,期待自(⏺)己(🥄)也能设(shè )计出那样的车(🚓),可(🖕)是她突然被调(dià(📗)o )到(dào )汽车(🅿)开发团队工(gō(🥙)ng )作(🛹),在她访问展(zhǎn )示(🛁)2000GT的博物馆(🖤)时,遇到了企图偷(🐙)走(zǒu )2000GT的(de )混血男子里卡尔(👕)(ě(😜)r )德,还有一个身(shē(🍿)n )穿白色赛(📒)车服套(tào )装的(🔡)神(👵)秘男子突(tū )然出现,让整个(🎎)博(bó )物馆像被施(🌑)了魔(mó )法(🤗)一样,变成一(yī(😻) )个(🏙)不可思议的空(kō(🌂)ng )间。
Maya, a queer pixie artist, meets and falls madly in love with her insta-crush: the sexually fluid fashionista, Jasmine. It's all gumdrops and fairytales until Maya discovers Jasmine's passionate relationship with a secret sugar daddy.
A young married couple struggles to survive against a supernatural entity.
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@
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