30岁(👶)(suì )的&#
30岁(👶)(suì )的屌丝青年李星辰遭(🔍)遇感情(🛵)伤害后整(zhě(🎿)ng )日花(huā(🏐) )天(tiān )酒地(dì )，靠着自己口(🐃)才和坑(🏏)蒙拐骗开(kā(🏋)i )了一间(jiān )星(🚉)座(zuò )的(🚳)咨询(xún )室，生(😲)意一般(🔈)，但自由自在无(wú )拘无束(🥡)(shù )的生(🖖)(shēng )活着。
故事(🏙)发生在(🎬)墨西(⚡)哥城的(🌶)一个中(zhōng )产(🙊)阶(jiē )级(⛔)(jí )社区(qū )“罗马”，讲述年轻(🖐)女佣克(💥)里奥（雅(yǎ(🦓) )利扎(zhā(🐏) )·阿巴(bā )里西奥饰）在(🌺)雇主索(🌇)菲亚（玛丽娜·德·塔(🍮)(tǎ )维拉(🗽)(lā )饰）家中(🕜)工作，该(🚤)家中索菲亚(yà )的丈夫(fū(🖨) )长期(qī(📛) )在(zài )外，由女(😀)佣克里奥照(📈)顾索菲(🚱)的四个(gè )孩(🚧)子。突如(🚎)(rú )其来的(de )两个意外，同时(💋)砸中了(😩)女佣克(kè )里(🉐)奥和(hé(🌆) )雇主(🖕)(zhǔ )索菲(🚱)亚(yà )，两人究(🏃)竟该如(🍴)何面对苦涩茫(máng )然的(de )生(㊙)(shēng )活？(🌰)四位孩子似(🙃)乎是希(👆)望所在。 这是以导(dǎo )演阿(🎧)(ā )方(fā(🎉)ng )索·卡隆的儿时记忆铸(🖲)成的影(🔹)片，而卡隆(ló(🔵)ng )其实(shí(🤐) )就(jiù )是片(piàn )中某一位小(🗓)孩。
Joy Holbrook is an intuitive market researcher in DC who has captured the attention of the account's CEO and is about to get a sweet promotion, just in time for the holidays. She receives an urgent phone call from home and she rushes back to Crystal Falls, NC to help her Aunt recover from surgery and is reunited with her former crush, Ben. To keep her Aunt focused on healing, Joy volunteers to take Ruby's place with the town's legendary baking competition, the "Cookie Crawl," much to the amusement of Ben who knows Joy has absolutely no idea of the Herculean task before her. Though Joy initially refuses Ben's attempts to "co-captain," she begins to soften and let him in, all the while remembering that there truly is no place like home.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
ユミ(🎆)は夫と娘(niá(🕰)ng )の３人(rén )暮(📵)らし。近(🏃)(jìn )々引っ越(⤴)しを考(🔂)えている。ユミは娘(niáng )の(✅)レイナ(😤)が時折うわ(🀄)言を発(💰)する(🚠)ことが(👖)、少々気(qì(😥) )にかか(🥚)っていた。転居の報告も(🌠)兼ねて(🧥)友(yǒu )人ヒロ(✳)ミと久(👫)々に再会するユミ。話題(👻)はいつ(🌵)しか「あの日(rì )」のこ(🃏)とに。「(🧔)私たちが埋(😜)めた時(🆗)、本当(dāng )に死んでたの(🤷)かな？(🔡)」。ユミは「(🥉)あの日」の(🐕)ことを(⬛)清(qīng )算すべ(💙)く、サ(🌧)エ、アコにも再(zài )会を(🔫)決(jué )意(🔽)し、廃墟(xū(🤮) )のよう(😢)な家(🐧)に一人(👛)で住むサエ(🖱)に会い(🍑)に行(háng )く。サエは、見知(🤸)らぬ少(🏂)女が現れて(🏾)娘だと(⬛)言って聞かず、しばら(♈)く一緒(👎)に暮らしていたが死ん(🎃)だこと(🌂)、そして少(🎀)女は死(🈺)んだままその家(jiā )の３(📙)階(jiē )に(🔖)寝かされて(📕)いるという(🏣)ことを(🐢)話し出す。(C)「(💺)黄(huáng )泉(🤶)がえる少女」製作委員(🙃)会
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
藝(yì(🏐) )術家自(zì )古(👄)皆(jiē )寂(😦)寞或(🚓)(huò )許是(🏽)境界，人到中(🔼)年萬事(🗞)憂則(zé )是現實(shí )。在(zài )畫(😄)室洋(yá(🔑)ng )洋灑灑呈現(📬)自由雄(🏍)風的裸男畫(huà )作令(lìng )他(🈹)(tā )一舉(🚏)(jǔ )成名，在家面對前妻懷(🕍)着新歡(👝)骨肉、與女(⛲)(nǚ )兒(é(🤪)r )相處(chù )尷尬卻令他一籌(🕋)莫展。貝(➕)蒙特的寂寞(mò )，在(zài )於(yú(🚀) )如何(hé(🐪) )在著名畫家(📔)與單親(🍾)爸爸雙重身(shēn )份、藝(yì(🕵) )術創(chuà(🚢)ng )作(zuò )與家(jiā(⏪) )庭生活(🤯)之間(🦋)取得平(❣)衡。維羅（《電(🎹)影(yǐng )就(✋)在(zài )街角》，35 屆）找來合作(🍇)多年的(🍸)編劇兼(jiān )美(🐳)指好(hǎ(🐡)o )友對(duì )號入座，還原藝術(🎄)家有血(🔂)有肉的矛盾(dùn )本性(xìng )，在(💝)出(chū )世(🗾)與入世的兩(📇)難外，毋(🏏)忘點點超現實(shí )的幽(yō(⛴)u )默(mò )。
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