A young girl with a special gift struggles to overcome a mob boss' influence over her family in this dark Dust Bowl fantasy, inspired by Hans Christian Andersen's "The Little Mermaid."
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
A young couple picks the wrong hideout while trying to elude the police.
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’(👓)re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’s nothing to worry about.
ユミは(🛸)夫と娘の３人(😓)暮(mù )らし。近(💌)々引っ越し(😥)を考えている(🌑)。ユミは娘(niá(🕝)ng )のレイナが(🐗)時折(shé )うわ言(🐸)を発(fā )する(🥇)ことが、少(🔄)々気にかかっ(🙇)ていた。転居(🍴)の報告(gào )も(➡)兼ねて友(yǒu )人(🚱)ヒロミと久(🍡)々に再会(huì(🌐) )するユミ。話題(🖖)はいつしか(🏗)「あの日」のことに。「私(👶)たちが埋め(📴)た時、本当に死んでたの(🎽)かな？」。ユ(🤫)ミは「あの日(🎁)」のことを(➗)清算(suàn )すべ(👖)く、サエ、ア(👶)コにも再(zà(👘)i )会を決(jué )意(🦀)し、廃墟のよ(🐿)うな家に一(🛩)(yī )人で住む(🚌)サエに会いに(😳)行く。サエは(👭)、見知らぬ(🐝)少(shǎo )女が現(xià(🛳)n )れて娘だと(📄)言って聞か(🍄)ず、しばらく(🐂)一(yī )緒に暮(💑)らしていた(🐧)が死(sǐ )んだこ(🛎)と、そして(🐵)少女は死(sǐ )んだままその(🍏)家の３階に(🎡)寝(qǐn )かされて(🈲)いるという(🚹)ことを話し(🐬)出(chū )す。(C)「黄泉(♓)(quán )がえる少(🕕)女」製作委(🛩)員(yuán )会
ユミは(🖱)夫(fū )と娘(niá(😥)ng )の３人暮ら(🚷)し。近々引(yǐn )っ(🌋)越しを考え(🐿)ている。ユミ(🚱)は娘のレイナ(👒)が時折うわ(💱)言を発する(👢)ことが、少々(🆓)気にかかっ(🤯)ていた。転居(📻)の報告も兼ね(👲)て友人(rén )ヒ(🏛)ロミと久(jiǔ )々に再会する(👊)ユミ。話(huà )題(🎻)はいつしか「(🧟)あの日(rì )」(🐲)のことに。「(📢)私たちが埋(má(🏐)i )めた時、本(📓)(běn )当に死ん(🐏)でたのかな？(🎯)」。ユミは「(🌶)あの日」の(👫)ことを清算す(🤥)べく、サエ(😍)、アコにも(🚄)再会を決意(yì(🔮) )し、廃墟の(🎢)ような家に(🖤)一人(rén )で住む(🤘)サエに会い(🐗)に行(háng )く。サ(😣)エは、見知ら(📝)ぬ少女(nǚ )が(🌠)現れて娘(niáng )だと言って聞(🏔)かず、しば(🦂)らく一緒(xù )に(⛹)暮らしてい(🐵)たが死んだ(🎥)こと、そして(🥋)少女は死ん(👳)だままその(🚎)家の３階に寝(🏾)かされてい(🍛)るというこ(💇)とを話し出す(😪)。(C)「黄泉がえ(🙁)る少女」製(🌋)作委員会(huì )
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🚛)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
巴勒斯坦(tǎ(😓)n )電視台攝製(🏀)臥底(dǐ )肥皂劇(🔀)(jù )，連(lián )以色(🎛)列婦孺(rú )都(🤾)晚晚追看(kàn )。編(👵)劇因情(qíng )節(👌)背離革命而辭(cí )職，監(jiān )製(🕖)的(de )多口侄仔(🈶)助(zhù )理受命執(🍇)筆(bǐ )，頻頻借(🛡)女(nǚ )角之口(🏰)，向電視(shì )機前(🚖)的(de )舊愛(ài )示(🚟)好，以色(sè )列(🎴)檢查站軍(jun1 )官則(📦)企圖恃(shì )權(💏)影響劇情發(😖)展，以便(biàn )在追(🎃)看的嬌(jiāo )妻(⬛)面(miàn )前自吹(⛽)自擂(lèi )。助理即(🌁)使(shǐ )槍抵腦(🐎)殼，都不肯接(👂)受(shòu )軍官要求(🐅)的(de )大團圓結(🐥)局。抗(kàng )爭，必(👕)(bì )須繼(jì )續！影(📲)展新(xīn )秀蘇(🏀)亞比巧(qiǎo )妙調侃以巴(bā )關(🎅)係，他的喜劇(📤)(jù )座右銘(míng )是(🐍)：要能大笑(🐛)，必須面對苦(🍑)(kǔ )痛，並與之(zhī(👓) )周旋。獲威尼(🏾)斯(sī )地平線(🍹)(xiàn )單元(yuán )最佳(😆)男主角(jiǎo )獎(🛡)。
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
圣诞节(jiē )，米(🏬)格兰一(yī )家发(🛣)现全家已被(📆)神秘的(de )金属(🚻)物质包(bāo )围，但(🤫)究竟是什(shí(⏯) )么，工业事(shì(🎨) )故？恐怖袭击(🔡)？核战争(zhē(🕍)ng )？在电视机(✒)(jī )上出现了“进(〰)一(yī )步的指(💙)(zhǐ )示”，他们按照(zhào )电视机的(🦑)指(zhǐ )示，展开(✴)了(le )血腥的屠杀(🍞)…
