Risking their life, they climb on narrow mountain paths every day, carrying 40 kg of goods on their back. Every mistaken step may chance upon a landmine. They are hunted like wild animals. And in the name of what? To earn just 10 dollars a day!?
南宋时汉水流域河盗猖(⤴)獗，朝廷(🐇)为剿灭(🐀)匪患派(✍)出“横江(🌆)(jiāng )军”精(🥄)英(yīng )章盖出任特使，稽查河上大案(🕟)。查案中(👟)与退役(🚜)军人(🕣)莫(🥟)(mò )客偶(🌯)(ǒu )遇，二人(rén )在误(wù )会中(zhōng )建立(lì )友谊(yì )。恰(qià(😣) )逢莫客(🔈)亲人女(♑)孩玉佩(🤦)被河盗(📟)掳走，二(➡)人携手(🌁)救出(chū )玉佩(pèi )和被(bèi )拐儿(🔻)(ér )童，将(💚)河(hé )盗(🆘)正(zhè(😿)ng )法(😈)，还一(⛰)(yī(🌻) )方平(píng )安。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
《大(dà )漠巾(jīn )帼情(qíng )》由国家林业和草原局、(😧)中共榆(🖇)林市委(😒)宣传部(🏤)、中共(📷)榆阳区(🥄)委、榆阳区人民(mín )政府(fǔ )、中(zhō(🍸)ng )共榆阳(💔)区委宣(🐫)传部(👾)联(💹)合摄制(🚉)，影片以榆阳区补浪河女(nǚ )子民(mín )兵治(zhì )沙连(😨)(lián )为故(🔑)(gù )事原(🥄)(yuán )型，讲(🤨)述(shù )了(🎇)治沙连(🤣)四十多(🥣)年来坚持治沙造林的感人(😖)事迹，治(〽)沙(shā )连(🏖)的(de )女(😳)兵(✨)(bīng )们(😞)用(🕘)(yòng )自己(jǐ )的青(qīng )春，在毛(máo )乌素(sù )沙漠(mò )中，谱写(xiě )了(💩)一(yī )曲(👇)绿(lǜ )色(🍻)的乐章(🌟)，讴 歌了(🍲)治沙连(❤)艰苦奋斗、自强不息的治沙精神(🕣)，弘扬了(🎻)继往开(🛒)来(lá(🛄)i )、(🧝)薪(xīn )火(🔝)相(xiàng )传的革命传统。
本作剧场版于2018年10月27日在日(🌭)本上映(🏸)。本(běn )作(🌋)为(wéi )光(🌟)之(zhī )美(🚙)少(shǎo )女(🔫)系(xì )列(👎)的(de )15周年(nián )纪念(niàn )电影，作中(🤑)《光之美(🤷)少女》（(💱)初代(🥣)）(🗯)及其(🐲)之(🕐)后直到《KiraKira☆光(guāng )之美(měi )少女(nǚ ) A La Mode》的(de )历代(dài )成员(yuán )的成(ché(✍)ng )员将(jiā(🕒)ng )会与(yǔ(👱) )拥抱(bà(📪)o )！光(guāng )之(📐)美(měi )少(👖)女(nǚ )的成员共同演出，就某种形式(🎏)而言也(🌨)算是“ALL Stars!”系(🏜)列的(🚹)再(📵)复活。
深(🌧)圳记者周安(ān )娜追(zhuī )随爱(ài )情来到新疆，投身“一带一(🎗)路”事业(🎙)中，她的(🏔)未婚夫(🐿)(fū )李明(😡)(míng )旭作(🍬)(zuò )为国(guó )企油(yóu )田高(gāo )管固(gù )守(📷)旧(jiù )观(☕)念，瞧不(🕊)起提(🏈)供(🙏)外包服务的民营企业家杜亚新，与(yǔ )周安(ān )娜产(chǎn )生(🏚)分(fèn )歧(🌉)。而卷(juà(🕗)n )入这(zhè(🧕) )场纷(fē(🏯)n )争的(de )周(😷)安(ān )娜最(zuì )后发(fā )现自(zì )己的爱(📑)情也陷(🎑)入两难(🚔)选择(💰)。
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
不(⛄)管这导(🈺)演嗑了什么很纯的，全部都要给你来一(yī )点！在澳(ào )洲(👅)这座曾(🍯)经被称(👚)作「无(🚴)主之地(🌂)」（Terra Nullius）(🗳)的大陆，历史以前所(suǒ )未见(jiàn )的观(🕷)(guān )点重(🌗)(chóng )新诠(🐡)(quán )释(🚐)：(💔)当《疯狂(kuáng )麦斯》末日场景成为难民拘留地，食人羊成为(🔊)反殖民(🙁)(mín )叛乱(🤭)(luàn )份子(🛏)(zǐ )，《沙漠(🏧)(mò )妖姬(🍣)(jī )》与(yǔ )电视(shì )剧《请喜(xǐ )欢我(wǒ )》有(🦒)(yǒu )了跨(🃏)(kuà )时空(👢)的酷(➖)儿(😯)对话(🍺)…(🍲)…本片以近似DJ取样混音之拼贴手法，打开了虚构与史(😠)实间(jiā(💀)n )的神(shé(🌙)n )秘黑(hē(📲)i )洞，大量(🌰)援引电(🥡)影名场景与历史典故，穿越时空与(🍄)各种语(🤨)(yǔ )境，重(🈴)写(xiě(🛰) )、(🍚)改(gǎi )写、乱写(xiě )，全(quán )面毁(huǐ )坏观众的三观！这是一部(🎐)政治复(🐜)仇预言(🅱)，杂揉讽(🕸)刺喜(xǐ(🎂) )剧、生(🐪)态(tài )恐怖(bù )与公(gōng )路电(diàn )影类(lè(🧐)i )型，写下(🕌)(xià )澳洲(🌈)(zhōu )国(😄)族(📁)(zú )神(🚂)话(🥅)(huà )从未(wèi )被纪录的史诗篇章。
