人(rén )據說一(y
人(rén )據說一(yī(🥄) )生最多(💞)有十(shí )萬條(🚣)頭髮，每一(⚾)條(tiáo )頭髮質感長(zhǎng )度(🚈)有異(yì )，但都承載(zǎi )著(🧙)煩惱的(🚚)回(huí )憶。「時光(🔸)理髮」(⛔)剪掉的不只是(🎃)頭髮(fà(🖲) )，還有街坊(fāng )不(🐙)快的(de )記(🎳)憶。行將(jiāng )式(🚑)微的舊式(🎥)(shì )廣東(dōng )理(🐺)(lǐ )髮店店(🚳)主海(hǎi )泉叔指望兒子(👸)長發(fā(🎈) )繼承衣缽，不過(🎵)兒(ér )子(🎅)卻更想當(dāng )文(🔹)青，希望(🧖)透過文(wén )字和(🏀)音樂改(🚿)(gǎi )變世界。一次(👣)意外(wà(👟)i )，長發被迫(pò(🏥) )代父親(qī(🚲)n )落場當師傅(fù )，透過理(🤬)髮為街坊(fāng )排憂解難(🧐)，更與離(♐)(lí )家出走少女(🖥)(nǚ )相遇(🧘)相知，重新反(fǎ(🚆)n )思自己(🙃)的前(qián )路。傳統(💒)理髮店(📋)交(jiāo )織舊區(💲)鄰里(lǐ )人(📌)情，《點五步》男(💉)角岑珈其(💛)(qí )化身(shēn )理(lǐ )髮店傳(🔞)人，演出(🏖)清新自然。
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…
Ivan (Brian Jordan Alvarez) is an American Paint Artist residing in Colombia. He was visited by his best friend, Christian (Peter Vack) along with his younger brother, Cole (Morgan Krantz). Somewhere along the way, Ivan and Cole hit it off although Cole is not gay (so he says). Will older brother, Christian be okay with that? As they say, True Love Conquers All, even if it takes years.
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
和(🎮)女友分(💧)手(shǒu )后，一(yī )位(🕜)布鲁克(🌥)林(lín )的音乐家(🤧)回到了(🛀)她(tā )住在中西(💤)部(bù )的(💇)妈妈处。她一(🤺)边(biān )在家(🙃)乡游玩(wán )，一边(biān )在一(👰)个老朋(péng )友的酒吧演(🧗)奏赚点(🔈)(diǎn )小钱，一段(duà(🤕)n )意料之(💥)外的关系开(kā(🕯)i )始发生(🛸)。
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
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