《金瓶少女》6

The Leprechaun returns once again, when a group of girls unwillingly awaken him, when they tear down a cabin so that they can build a new sorority house.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

晴晴(🖊)(qíng )和小雨(yǔ )一(🐐)起来到城市打(🗻)工投(tóu )奔老乡(🍻)莹莹，途中遭(zā(🖌)o )绑架(jià )团(tuán )伙(🎄)赵卓和四通绑(🔝)架，影片(piàn )以(yǐ )恢(😩)弘幽默的手法(🦇)讲述(shù )晴晴小(🏄)(xiǎo )雨与犯罪分(✍)子斗智(zhì )斗(dò(⬜)u )勇的故事。

本片(🖥)讲述(shù )了分(fè(🤣)n )属(🐅)(shǔ )两个政治集(⛪)团的夫妻(qī )狄(🛀)云(yún )和(hé )凌雪(🛋)之间，在面对婚(📄)(hūn )姻危机(jī )之(♐)后，共同找回属(🈹)(shǔ )于(yú )两个人的(🈳)爱情，并最(zuì )终(🌉)同(tóng )仇(chóu )敌忾(🙏)，将倒卖国家火(🍫)(huǒ )器的西(xī )厂(🐓)提督刘保绳之(🐠)以法(fǎ )的故事(🌡)。

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

After being double-crossed by Hondo on her own ship, Maz tells some stories.

When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.

ユミは夫と娘(👱)(niáng )の３人暮ら(💭)し。近々引(yǐn )っ(📱)越(yuè )しを考え(😿)ている。ユミは(🐢)娘のレイナが(🍭)時折うわ言(yán )を(👧)発することが(🅰)、少(shǎo )々気(qì(🏎) )にかかってい(🚑)た。転居(jū )の報(🐕)(bào )告(gào )も兼ね(🐂)て友人ヒロミ(📇)と久々に再会す(🥁)るユミ。話(huà )題(🎞)はいつしか「(🔊)あの日」のこ(🗽)とに。「私たち(💝)が埋めた時、(👩)本当に死んで(🛫)たのかな？」。ユ(🚤)ミは「あの日(🍗)」のことを清(🍮)算すべく、サ(🎆)エ、アコにも(🗨)再会(huì )を決意(🔌)(yì )し、廃墟のよ(🉐)うな家(jiā )に一(🍔)人で住むサエ(🏸)に会いに行く(🏨)。サエは、見知(📀)(zhī )らぬ少(shǎo )女(🍦)が現れて娘だ(🦕)と言(yán )って聞(wé(⛸)n )かず、しばら(🌿)く一(yī )緒(xù )に(🏰)暮らしていた(🛣)が死(sǐ )んだこ(👋)と、そして少(😥)女は死(sǐ )んだ(🍜)ままその家の３(🔎)階に寝(qǐn )かさ(🅱)れているとい(🤴)うことを話し(💙)出す。(C)「黄泉が(😒)える少(shǎo )女」(🔏)製作委員会