Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
藝術家自古皆寂寞或(📖)許是(🧣)(shì(🍕) )境界(jiè )，人(rén )到中年萬事憂則是現(xià(🔳)n )實(🎋)。在(👴)畫(🛂)(huà )室洋洋灑灑呈現自由(yóu )雄風(fē(🐍)ng )的裸(🐘)(luǒ )男(🙌)畫作令他一舉成名(míng )，在(zài )家面(mià(👽)n )對(👢)前(🈯)妻(🎧)懷着新歡骨肉(ròu )、與(yǔ )女兒(ér )相處(💛)尷(🚟)尬卻(🎭)令他一籌(chóu )莫展(zhǎn )。貝(bèi )蒙特的寂(🚒)寞(📃)，在(🆖)於(🔪)如(rú )何在(zài )著名畫家與單(dān )親爸爸(😺)雙(🏒)重(🌿)(chó(💂)ng )身份(fèn )、藝術創作與(yǔ )家庭生活(🎩)之間(🤧)取(🏗)(qǔ(☕) )得平衡。維羅(luó )（《電影就在街角》，35 屆(😨)(jiè(😯) )）(😸)找(👲)(zhǎo )來合作多年的編劇兼美指(zhǐ )好(⛏)友(yǒ(🤘)u )對號(😕)(hào )入座，還原藝術家有(yǒu )血有(yǒu )肉(🥋)的(🌓)(de )矛(❗)盾(🚸)本性，在出世與(yǔ )入世(shì )的兩(liǎng )難外(😄)，毋(🎰)忘點(📮)點超現(xiàn )實的(de )幽默(mò )。
When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch.
多摩湖のほ(🤧)と(🎲)り(🧦)で(🚝)男性(xìng )の遺(yí )体が発見された。遺(yí(📃) )体(🚪)の(🕰)身(🥕)元は、株式(shì )会社橋本商(shāng )事の(🚿)社長(🏚)で(🌚)あ(♌)る橋(qiáo )本圭一（山上賢(xián )治）と(📌)判(⚾)明(🤙)。死(💇)因は頭がい骨の骨折による失血(🚝)死で(🏻)、後(🍻)頭部を鈍器(qì )のようなもので殴(🦆)打(🛷)さ(📡)れ(🌦)ていた。身元(yuán )確認に来た社員の伊(🎊)(yī(🤥) )藤（(🕧)浅香(xiāng )航大）によると、橋(qiáo )本(🔤)は(🛒)最(🗞)後(🍴)(hòu )の電話で、兵庫の「丹波(bō )篠山(🎆)(shā(🛏)n )」(🔘)に(😇)いると言っていたという。遺体が(🐬)発見(♑)さ(🐖)れ(📡)た東京(jīng )の多摩湖からは距離が(♈)あ(🍱)る(🚮)こ(🏭)とから、別の場所で殺害された(🏯)後に(🗒)遺(yí(✒) )棄された可能性がでてきた…。
童(🌲)(tó(😈)ng )年(🔦)时(🈚)(shí )，小生和雪旺两个人(rén )都喜(xǐ )欢旺(🆖)(wà(🍨)ng )雪，这(🀄)种情感纠葛伴(bàn )随他(tā )们长(zhǎng )大(🔹)。 后(🐰)来(👃)，雪(🐪)旺和旺(wàng )雪失(shī )去联(lián )系。后来雪旺(😴)遇(👧)到(🎳)小(🚏)(xiǎo )倩，二人(rén )相恋。雪旺在无意中(zhō(🌻)ng )又找(🌼)(zhǎ(🚺)o )到(🆘)了失散多年的旺雪，两(liǎng )人旧(jiù )情(🧠)重(🗝)燃(💣)。小(🐼)倩(qiàn )为了成全他(tā )俩，忍着痛苦与(🐤)雪(xuě(😑) )旺分(🕣)手。小生处处刁难雪旺，并且心生歹(❎)意(🏷)，将(🍁)雪(🏡)旺的(de )昔日(rì )恋人(rén )小倩伤害了。小倩(💅)意(🚩)(yì )欲(🚺)跳(tiào )楼自(zì )杀，被烧锅炉的师傅(fù(🗽) )刘强(🍔)(qiá(✡)ng )救了(le )下来。雪旺和旺雪终(zhōng )于谈(tán )婚(⛹)论(🥅)(lù(👠)n )嫁(🐒)，却发现雪旺得了(le )白血(xuè )病，小生想(🏿)趁机(♉)霸占(🐡)了雪(xuě )旺的(de )公司，但阴谋被识破了(⭐)，最(🖲)后(🚽)(hò(🥤)u )小生被绳之以(yǐ )法。雪旺和(hé )旺雪(xuě )准(🐹)备举(🤫)办婚礼(lǐ )，可医生却道出实情，原来(🕺)一(🔎)(yī(🌵) )堆(🚎)青梅竹马的恋人竟是同(tóng )父异(yì )母(⏩)的(🎸)(de )兄妹(🦍)……
印度每年有(yǒu )超过(guò )二万(wà(🕷)n )宗针(🕕)对(💸)女性的暴力罪(zuì )案，平均(jun1 )每二十二分(💯)钟(🗾)就(🤝)有(🌼)一(yī )名女(nǚ )性被(bèi )强暴，每六小时(📕)就有(🎬)(yǒu )一(🍘)名(míng )妇女(nǚ )因家庭暴力丧命。年(niá(🐱)n )轻(🤑)的(😋)(de )基(🌻)层女警索妮与上司卡帕(pà )纳在(zài )德里(🆖)一同(🎣)接手(shǒu )调查不同的(de )女性(xìng )暴力事(⏳)件(😂)，在(🐐)(zà(📎)i )办案过程中往往遭受到了重大(dà )阻(🎒)力(Ⓜ)，无日(🛥)无之的罪案令(lìng )她脾(pí )气暴(bào )躁(🎿)，做事(📘)方(🎡)式偏离常(cháng )规，被裁(cái )定在执勤中行(🎄)为(🍐)不(⚫)当(⛑)(dāng )，而(ér )私人(rén )生活也影响到了她(🏇)的(de )职(🆒)业(yè(🎤) )表现(xiàn )，与丈夫已经彼此疏(shū )离，却(🎨)要(🕴)(yà(🍀)o )被(☔)迫面对他突然的到(dào )访。印度电影少见(🏞)的写(🏻)实题材(cái )，以(yǐ )一场一镜营造(zào )出(😍)真(🕤)实(⛹)迫(🔖)力(lì )，将(jiāng )社会低下层女(nǚ )性受到压(🗝)迫(🌾)的问(❌)题表露无遗。
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
