Since early child
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
因流感感染的死(🥢)者突然复(fù )活,变(biàn )成丧尸(shī )开始疯(fēng )狂撕咬活人,被咬后的活(huó )人纷纷(fēn )变成丧(sàng )尸,一(yī )场末日(🕯)丧尸之战自此开始(shǐ )...
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
A romantic thriller that explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway.
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
中年建(jiàn )築師遇(yù )上人生(shēng )瓶頸,在家被老婆嫌棄,公司小(xiǎo )開兔死(sǐ )狗烹。失(🤷)業的(de )他在曼谷街頭驀然回首,瞥見大(dà )象Pop Aye,憶(yì )起歡快(kuài )的童年時光,毅然買下大(dà )象,卻(què )發現都(dō(📋)u )市生活(huó )容不下他倆,打算和老象(xiàng )一路向(xiàng )北返鄉(xiāng )。這趟(tàng )人與象的公路之旅,途中(zhōng )狀況不(bú(🐚) )斷,所(suǒ )幸萬能(néng )的象鼻領著他倆,與沿路(lù )風景相(xiàng )伴。《爸媽不(bú )在家》導演陳哲藝監製,阿比查(chá )邦(📎)御用(yòng )剪接操(cāo )刀,看(kàn )擅長冷幽默的才女導演陳(chén )敬音,用象鼻(bí )對抗中(zhōng )年危機!將泰國鄉下的(📒)荒(huāng )涼風景(jǐng ),轉變(biàn )成一首(shǒu )洋溢著淡淡霓虹光芒的自(zì )我蛻變(biàn )之歌。
When a near-decade old murder case involving a movie star threatens to reopen, adult child Duke Moody decides to make a true crime documentary, financed by his mother.详情