藝(yì )術家(🧛)自&#
藝(yì )術家(🧛)自(zì )古(🐁)皆寂寞(⛲)或許是(🕢)境(jìng )界(📤)，人(rén )到(🚿)中年萬(♎)事憂則(👬)是現實。在畫室(shì )洋洋灑灑呈現自由雄風的(de )裸男畫(huà(😉) )作令他(🤝)一舉成(👋)名，在家(😓)面(miàn )對(📈)前妻(qī(⏩) )懷着新(🚧)(xīn )歡骨(🤱)肉、與(yǔ )女兒相(xiàng )處尷尬(gà )卻令他一籌莫展(🥪)。貝蒙特(🧞)(tè )的寂(🏈)寞(mò )，在(🖱)於如何(🌠)在著名(➡)(míng )畫家(🏇)與(yǔ )單(🗑)親爸(bà )爸雙重身份、藝術(shù )創作與(yǔ )家庭生(🌈)(shēng )活之(🤵)間取得(🔊)平衡。維(🐎)羅（《電(🚌)影(yǐng )就(🌂)在街角(🦉)》，35 屆）找(👃)來合(hé )作多年的編劇兼美指好友(yǒu )對號入(rù )座，還原(👾)藝術家(👰)有血有(🖕)肉(ròu )的(🤝)矛盾(dù(🕥)n )本性，在(🥦)出世與(📡)入(rù )世(👯)的兩(liǎng )難外，毋忘點(diǎn )點超現實的(de )幽默。
A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
讲述(🕦)(shù )一名(🔰)退休的(🌈)杀手，无(📈)奈之(zhī(🕗) )下只能(✌)(néng )重操(🥟)旧业，用(⛪)上以(yǐ )往的杀(shā )戮技能(néng )，跟曾经的雇主大(dà(⬆) )战一场(🥝)(chǎng )...
摄影(🐜)师(shī )王(♓)树因一(👁)次“死亡(🎯)(wáng )拍摄(⛽)”获奖并(🎑)(bìng )一举成名，于此同(tóng )时他也(yě )断送了自己的摄影生(🛅)涯。在舆(🖊)论(lùn )的(🗯)审判下(🎷)，没有一(👨)家摄影(💲)(yǐng )公司(🆗)愿(yuàn )意接纳他，王树不得不转(zhuǎn )行维持(chí )生计，不想却(🚕)变成(ché(🖕)ng )了网络(💲)(luò )爆红(💆)的(de )“审判(🚇)者”，并陷(🔚)(xiàn )入了(🚬)一(yī )宗(✂)扑朔(shuò )迷离的死亡绑架事(shì )件，踏(tà )上了“心灵(🛷)审判”的(➡)漫漫(mà(🚌)n )长路......
“我(💘)的一(yī(🗞) )生中只(💯)害怕一(💒)件事(shì(🌶) )，就是(shì )有一天(tiān )，黑色会吞没红色(sè )。”
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