Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
Au Ve siècle, la ville d’(💹)Aquilée, près de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tê(♍)te au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’(😇)a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
在(zài )一家(🙉)救济院(🍰)，病人被拍恐怖(bù(😑) )片进(jì(🐆)n )行精(jīng )神病研(yá(🔐)n )究，他们(🍇)都疯了。这(👦)些(xiē )电影(yǐng )被(♿)曝(pù )光了(🏿)，其中五成画面(🤸)是七八十(🔽)年代(dài )OOXX的场(chǎ(🎬)ng )景，给(gěi )你(🎌)不一样的观影(📵)体验……(👶)
阿(ā )軒意(yì )外(🎵)穿越回到(🎬)(dào )了5年前仍在(🏾)讀大學的(🔓)時(shí )期，正是(shì(😹) )他與女(🙋)(nǚ )友 Joyce第一次邂逅(🕋)的日子(🏇)。阿軒(xuān )認為(wéi )這(🎤)是上(shà(🎥)ng )天給他的一次機(🔊)會， 讓他(🉐)阻(zǔ )止父(fù )親因(🔱)沉(chén )迷(🖥)賭博而鑄成大錯(💱)、並救(🏰)回(huí )5年後(💳)(hòu )意外受傷昏(🏑)(hūn )迷的 Joyce，從(🏨)而改變自己的(💠)(de )命運(yùn )。然(👕)(rán )而，命(mìng )運真(👃)的可以改(🥣)變嗎？一切又(🎗)(yòu )是否(fǒ(🧗)u )可以如(rú )他所(🚅)願？
不管(🍌)这导演嗑了什(🧒)(shí )么很(hě(👵)n )纯的，全部(bù )都(🆘)要给你(🗑)来一点！在澳(ào )洲(🍚)这(zhè )座(🔯)曾(céng )经被称(chēng )作(🚮)「无主(🏿)之地」（Terra Nullius）的(de )大(🍺)陆(lù )，历(📤)(lì )史以前(qián )所未(🎾)见的观(〰)点重新诠释：当(🧖)(dāng )《疯(fē(🐤)ng )狂麦斯(sī(🛳) )》末日场景成为(📋)难民拘留(👯)地(dì )，食(shí )人羊(🎢)成为反(fǎ(🐙)n )殖民叛乱份子(🛺)，《沙漠(mò )妖(😷)姬(jī )》与(yǔ )电视(🎍)剧(jù )《请喜(🗡)欢我》有了跨时(👠)空的(de )酷儿(🚆)(ér )对话……本(💕)片以近似(📌)DJ取样混音之拼(🌖)(pīn )贴手(📖)(shǒu )法，打(dǎ )开了(le )虚(👁)构与史(🚏)实间的神秘黑(hē(💩)i )洞，大量(👜)(liàng )援引电(diàn )影名(🐞)场景与(🌳)历史典故，穿越(yuè(👏) )时空(kō(🗼)ng )与各种(zhǒng )语境，重(✒)写、改(😿)写、乱写(🅿)，全面(miàn )毁坏观(🕥)(guān )众的三(🌛)观！这是一部政(😣)治复(fù )仇(😞)预(yù )言，杂揉讽(💰)(fěng )刺喜剧(🥈)、生态恐怖与(🛺)公(gōng )路电(🥪)(diàn )影类(lèi )型，写(🍤)(xiě )下澳洲(🤠)国族神话从未(🍚)被纪录(lù )的史(shǐ )诗篇章(🌲)(zhāng )。
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
A young couple picks the wrong hideout while trying to elude the police.
