武则(zé )天登(🛏)基前，“无(🗂)头(tóu )神将”怪(guài )物(📢)奇袭(xí(🥟) )皇陵，屠杀(shā )官兵(🕹)和(hé )工(🏅)匠。武(wǔ )后派民间(🎹)神(shén )探(😉)狄仁(rén )杰调查此(🐂)案。狄(dí(🌏) )仁杰多次涉(shè )险(⏰)后终(zhō(📆)ng )于发现幕(mù )后黑(🦀)手的身(🤜)份和无(wú )头神将(🍙)的真面(⚾)目(mù )。敌人袭击(jī )祭天大(😼)(dà )典，狄仁(rén )杰摧毁“无头(🍈)神将(jiāng )”，击溃敌人，保护了(🐰)武后(hòu )。
A Bollywood superstar hires a prostitute for a night of passion. This one night changes the fate of five characters forever. The prostitute falls for the superstar's driver while she struggles to free herself from the clutches of her sociopath pimp. Meanwhile, the actor is blackmailed for his past transgressions and he seeks to keep his reputation intact by any means necessary. These two events collide into a violent conclusion where not everyone will survive.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
巴(bā )勒斯坦電(🔙)(diàn )視台(🅾)攝製臥底肥皂(zà(🧐)o )劇，連以(🙎)色列婦(fù )孺都晚(⚽)晚追(zhuī(💭) )看。編(biān )劇因情節(😱)(jiē )背離(💓)革(gé )命而辭職，監(✖)製的(de )多(🔼)口侄仔(zǎi )助理受(🧑)命執(zhí(🌹) )筆，頻(pín )頻借女角(➡)之口，向(🍸)電視機前(qián )的舊(⏳)愛(ài )示(🌴)好，以(yǐ )色列檢查(📙)站軍官(👂)則(zé )企圖恃權影響劇(jù(😜) )情發展，以(yǐ )便在追(zhuī )看(😠)的嬌妻(qī )面前自吹自擂(🥌)。助(zhù )理即使槍抵腦殼(ké(😞) )，都不肯(🎻)接(jiē )受軍官(guān )要(⛽)求的大(🥋)(dà )團圓結局。抗爭(🧝)，必須繼(✈)續！影展(zhǎn )新秀蘇(👇)亞比(bǐ(📱) )巧妙調(diào )侃以巴(😬)關係，他(👑)(tā )的喜劇座右(yò(✒)u )銘是：(🤞)要能大笑(xiào )，必須(💋)面對(duì(🏟) )苦痛，並與之周旋(🛩)。獲(huò )威(🕒)尼斯地平(píng )線單(🍥)元(yuán )最(🏍)佳男主(zhǔ )角獎。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
拉敏，一个(😁)(gè )在墨西哥的伊朗(lǎng )移(💞)民，背负(fù )着他的(de )过去：(🌓)字(zì )面上，以韦尔斯的(de )形(♑)式。在Luci_rnagas，一(📻)个(gè )Skype对话显示他(🐬)(tā )已经(🐀)把(bǎ )他的男朋(pé(🍘)ng )友留在(🍜)土耳其了。
胡广川(📐)打赢一(👀)场(chǎng )合同违约案(🥞)(àn )，败诉(❕)(sù )公司收到匿名(🎵)信(xìn )，指(💓)出胡广(guǎng )川收买(🆖)(mǎi )证人(🤺)作伪(wěi )证。胡广川(🏫)(chuān )百口(🍌)难(nán )辩，二审裁决(🐢)伪(wěi )证(📺)罪成立，律师执(zhí )照被吊(🛋)销(xiāo )。恰逢黄薇取得正(zhè(🏆)ng )式律师资格，她(tā )深信胡(🌟)广川(chuān )的职业(yè )操守，决(🥈)(jué )定孤掷一注代替胡(hú(🎴) )广开庭(🚟)
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
